The brief was sound made visible: build the lower half as a procession band marching left to right — nagada kettle-drummers, long-trumpet blowers and flag-bearers leading a small canopied palanquin that carries the Goddess's image through the streets. Above the band the Mother sits enthroned on her cockerel so the procession reads as hers, the deity overhead and her image borne below. Carrying the Mother out in palanquin procession, with drums and trumpets clearing the way, is how her festivals move through a Gujarati neighbourhood, and the Vaghri (Devipujak) shrine cloth has always held room for this public, noisy devotion alongside the still enthroned icon. Framing panels of trumpeters, pot-bearers and dancers keep the energy ringed and legible, and a floral-vine border closes it. Madder red, iron-black, cream — the natural-dye triad carries even the loudest scene calmly.