The brief was the Ramayana's resolving chord, the Pattabhishekam, and the challenge was to give a full court the calm of an icon. So the composition is built around the central enthroned pair: green-bodied Rama crowned and at ease, golden Sita beside him, both under a single large royal parasol and a fanned prabhavali arch that reads as the still centre of the panel. The two brothers stand in mirrored attendance, but the emotional weight sits low and left, where a white Hanuman kneels in anjali at the foot of the throne — the devotee who, given any boon, asked only to remain near Rama. Painting Rama green follows the murals' guna code, in which green marks the serene, sattvic divine, exactly the register of a just king restored. The medium-light density keeps the ochre ground open above the court so the throne reads cleanly rather than as a crowd.