The brief was the climax itself: not the procession or the music, but the joining of hands at the heart of the Pithora story. A central-deity layout put the couple under a gabled mandap dead-centre, attendants kneeling close with offering pots, so the wedding reads instantly as the wall's reason for being. Among the Rathwa the marriage of Pithoro is the event the entire painting honours — the wall is vowed to Babo Pithoro and his wedding is its sacred core — so the mandap earns the centre and the calm around it. A clear middle register of mounted deities rides in beneath as witnesses, while the lower forest-and-village band roots the divine event in the world it blesses. Medium-light fill keeps the couple legible and unhurried; the witnesses do not crowd the vow.