Village Daily Wall Decor — 3 museum-grade prints on the theme. Warli painting belongs to the Warli Adivasi community of the North Sahyadri range in Maharashtra and adjoining Gujarat, historically narrating social life in white rice-paste on geru-coated mud walls. Evening story circles in villages like Talasari preserve oral history — elders recount migration, forest lore, and seasonal rhythm to seated listeners in geometric stick-line grammar. The village well remains a daily social node in Warli painting — water drawing, pot balancing, and neighbour conversation rendered in white rice paste on geru walls across Jawhar and Palghar talukas. Communal-ring layouts for seated gathering differ from tarpa harvest dance rings where standing linked dancers orbit a musician. Warli painting comes from the Warli Adivasi community of the North Sahyadri range — Dahanu, Talasari, Jawhar, Palghar, and Mokhada talukas where rice-paste white line on geru-coated walls narrated daily life. Village-daily scenes — grinding, sweeping, water-fetching, cattle care — appear throughout classical wall cycles painted by women during auspicious weeks, distinct from lagnacha chauk wedding geometry and from tarpa harvest dance rings.