Communal Ring Warli — 2 museum-grade prints on the theme. The village well remains a daily social node in Warli painting — water drawing, pot balancing, and neighbour conversation rendered in white rice paste on geru walls across Jawhar and Palghar talukas. Communal-ring layouts for seated gathering differ from tarpa harvest dance rings where standing linked dancers orbit a musician. Warli marriage wall paintings in Palghar, Dahanu, and Jawhar talukas traditionally accompany wedding rituals — painted by suvāsini women on geru-coated walls the morning of the ceremony, unveiled after main rites. The lagnacha chauk square with Palghat Devi is the sacred fertility centre; alongside it, community feast scenes show seated sharing — circle of life grammar where the ring has no beginning or end.