Weekend Home — 21 museum-grade prints sized and toned for the room. Harvest gathering scenes anchor Warli farming narratives — women carriers with head-loads, granary storage, bullock transport document monsoon-to-storage cycle central to Sahyadri Adivasi life. Linked-hand procession lines express communal labour distinct from tarpa circle dance at harvest-eve celebration. Warli traditionally narrates village labour and ritual on geru walls — farming, hunting, marriage chauk. Contemporary fusion asks how urban India's daily rituals (commute, gym, UPI, delivery apps) translate into the same geometric stick-figure language. Warli painting belongs to the Warli Adivasi community of the North Sahyadri range in Maharashtra — practiced in talukas including Dahanu, Talasari, Jawhar, Palghar, and Mokhada. Traditionally, women painted interior hut walls with white pigment of rice paste, water, and gum applied using bamboo sticks, over a ground of red geru soil and cow dung.