Threshold Blessing — 3 museum-grade prints that set the mood. Warli painting belongs to the Warli Adivasi community of the North Sahyadri range in Maharashtra — practiced across talukas including Dahanu, Talasari, Jawhar, Palghar, and Mokhada. Women traditionally painted interior hut walls with white rice paste, water, and gum applied through chewed bamboo sticks, over a ground of red geru soil mixed with cow dung. Aripana — from the Sanskrit alepan, to smear — is the Kayastha and Brahmin women's floor-diagram tradition within Mithila art, historically drawn with rice paste or cow-dung-clay on purified ground for weddings, Dev Uthani Ekadashi, Kamaldah lotus-pond rituals, and daily threshold blessing. Aripan is the Bihar cognate of Tamil Nadu kolam: both begin with a centre bindu and expand through confident geometric line work; kolam at Chennai thresholds often appears at dawn before household activity, while Mithila aripan accompanies vermillion papers and marriage processions. Madhubani — Mithila painting from the Madhubani district of Bihar and adjoining Nepal — traditionally adorned courtyard and interior walls for weddings, festivals, and seasonal rites, with knowledge passed matrilineally among Brahmana, Kayastha, and other community lineages. William G.