Quietly Humorous — 5 museum-grade prints that set the mood. Warli painting belongs to the Warli Adivasi community of the North Sahyadri range — Palghar, Dahanu, Talasari, Jawhar, and adjoining Maharashtra-Gujarat border districts where rice-paste white pigment on red ochre cow-dung or brick walls documented daily life, harvest, and ritual. Traditionally, lagnacha chauk — sacred wedding squares — and tarpa dance rings appeared on interior walls for life-cycle ceremonies; circle-triangle-square grammar encodes humans, animals, trees, and celestial bodies without perspective illusion. Bharni is the Brahmana women's colour-filling tradition within Madhubani painting — historically distinct from Kayastha Kachni line work and Dusadh Godna tattoo stipple. Where Kachni builds shade through parallel hatching alone, Bharni declares in vermillion, cobalt, ochre, plum, and lampblack solids bounded by bold double outlines — the style traditionally served deities, peacocks, fish, wedding-procession scenes, and village market vignettes on interior walls. Madhubani — Mithila painting from the Mithila region of Bihar and adjoining Nepal — traditionally covered courtyard and interior walls for weddings, festivals, and seasonal rites, with knowledge passed matrilineally. William G.