We briefed this as a Sohrai forest-and-flora band built around one heavy animal and a few light ones. A diagonal flow carries it: the dark tusker ambling in from the upper left under leafy trees while three spotted deer break across the lower forest — one leaping, one standing, one grazing — so the wall has weight at the top and movement below. We set a single peacock at the foot and a lotus opening at the centre to anchor the base, and kept the cream ground open so the dark elephant reads as the mass it is against the lighter deer. It is the unhurried forest a Hazaribagh wall loves: a few creatures, room to move, no crowding.