The brief was to bring go-seva into the present without losing its devotional root, so a flute Krishna presides on his lotus while below him a real goshala runs: a tile-roofed shed, volunteers carrying armfuls of green fodder, someone milking into a pot, a hand-pump at the edge. We used pichwai's horizontal cow-register so the work reads as ordered rows rather than chaos, and kept the helpers to a readable handful per band. The cream ground gives it working daylight, and the lotus pond closes the sheet with the temple's water. It is the quiet argument that caring for cattle today is the same seva the Nathdwara haveli has always honoured.