Fire Orange — 3 museum-grade prints in this palette. Pithora is the ritual wall-painting tradition of the Rathwa, Bhil and Bhilala Adivasi communities of Chhota Udepur in eastern Gujarat and the adjoining belt of Madhya Pradesh and Rajasthan. Fire-leaping (chul) is a real devotional act of faith and endurance in the region's festivals, and the village bus and tractor are the everyday machines that carry the crowd today; contemporary Pithora artists fold such modern life into the wall's flat folk line. Marwar, the desert court of Jodhpur, is the Rajput school of intense saturated grounds and desert intensity. This contemporary fusion borrows its solo-performer grammar for the Kalbeliya dance of the Kalbeliya community — once snake-handlers — whose serpentine movements and black mirror-worked skirts were inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2010, danced to the been and the dholak. Marwar, the desert court of Jodhpur and Jaisalmer, is the Rajput school of intense saturated grounds and desert intensity. This contemporary fusion borrows its night-gathering grammar for the hereditary folk music of the Thar — the Manganiyar and Langa communities whose kamaicha, dholak and khartal carry Rajasthan's desert songs.