Kohbar Madhubani Prints — 7 museum-grade prints on the theme. Kohbar — also called Puren in some Maithila villages — is the Madhubani style reserved for the bridal chamber (kohbar ghar), painted by women of the household to bless a new marriage with fertility, prosperity, and harmonious union. Unlike Bharni festival deity panels or Kayastha Kachni line work, Kohbar carries a fixed iconographic checklist: bamboo for male lineage and proliferating family lines, lotus for feminine life force, fish (matsya) for fertility and abundance, sun and moon for cosmic balance, birds such as peacocks for beauty and auspicious presence. Kohbar — also called Puren in some Mithila villages — is the Madhubani style reserved for wedding rituals, painted on the walls, paper, or fabric of the kohbar ghar where bride and groom first meet after the ceremony. Elder women of Brahmin and Kayastha households traditionally executed these panels on cow-dung-washed mud plaster, singing Ram-Sita wedding songs while drawing; Jitwarpur in Madhubani district remains a noted centre for classical Kohbar narrative panels. Kohbar — also called Purain in Kayastha Mithila vocabulary — is the ritual painting tradition tied to the Kohbar Ghar, the nuptial chamber where bride and groom first meet after wedding rites and spend their first days together. Among Karna Kayastha and Brahmin communities in Madhubani district, women paint these walls with cow-dung and mud base coats, natural pigments, and motifs blessing fertility, prosperity, and marital harmony.