Tree of Life — 4 museum-grade prints, engineered to a wall. DESIGN BRIEF: the brief was the tree of life as the whole panel, so a single great tree rises from the foot and spreads its rounded boughs to fill most of the field, perched birds and a pair of peacocks at the crown, climbers threading the branches. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, letting clear brick-red ground show through the gaps in the boughs so the tree breathes and the birds and climbers stay legible. Kalpavriksha — the wish-fulfilling tree of Hindu and broader South Asian cosmology — appears throughout Mithila wall painting as the cosmic column linking earth and sky. In Kohbar wedding-chamber programmes, Brahmin women painted the tree as central spine alongside bamboo, fish, and lotus auspicious symbols; Bharni style floods those forms with vermillion, turmeric, and bilva-green natural pigments within bold lampblack outlines. The tree of life appears in Warli cosmology as connector between earth and sky — circle canopies and root systems rendered in white line on geru walls during rituals and daily narrative panels. Vikramgad taluka preserves forest-village cosmology distinct from Dahanu coastal scenes.