Bamboo Grove — 2 museum-grade prints, engineered to a wall. Kohbar — also called Puren in some Maithila villages — is the Madhubani style reserved for the bridal chamber (kohbar ghar), painted by women of the household to bless a new marriage with fertility, prosperity, and harmonious union. Unlike Bharni festival deity panels or Kayastha Kachni line work, Kohbar carries a fixed iconographic checklist: bamboo for male lineage and proliferating family lines, lotus for feminine life force, fish (matsya) for fertility and abundance, sun and moon for cosmic balance, birds such as peacocks for beauty and auspicious presence. In Mithila Kohbar painting — the ritual murals painted on the walls of the nuptial chamber (kohbar ghar) during Maithili weddings — bamboo groves carry explicit male fertility symbolism. Maithili treats bamboo (baans) as masculine: it multiplies quickly, stands in dense clumps, and visually encodes the groom's patrilineage (bans, lineage — a near-homophone artists exploit deliberately).