Library Nook — 17 museum-grade prints sized and toned for the room. Warli painting belongs to Warli Adivasi communities of the North Sahyadri — white rice paste on geru walls documenting river fishing, pond carrying, and bamboo bridge crossings across Palghar and Dahanu. Net casting and drag netting are classical livelihood motifs distinct from tarpa ritual dance and chauk marriage geometry. Warli painting belongs to the Warli Adivasi community of the North Sahyadri, historically white rice-paste on geru mud walls narrating village architecture as square huts with triangular roofs. Maharashtra's rural solar programmes brought rooftop PV to tribal and agrarian hamlets — a contemporary layer on centuries-old dwelling forms. Peacocks appear in Warli forest scenes and mor-chauk ritual contexts — symbols of beauty and Sahyadri forest presence. Tree-of-life verticals express fertility and human-nature reciprocity through circle-fruit canopies and root spreads.