Heritage Hotel Lobby — 3 museum-grade prints sized and toned for the room. Kachni — meaning line — is the Kayastha women's tradition within Madhubani painting: motifs built from dense parallel hatching, cross-hatch, and stippling inside double black outlines, historically associated with fine narrative and nature detail rather than Bharni flat deity colour floods. Paired birds and lotus crests appear in classical threshold vocabulary — aerial messengers above, floral abundance below — a layout discipline preserved here even when the middle register holds colonial shopfronts and a tram instead of river boats or wedding processions. Bharni — from the Hindi word for filling — is the Madhubani tradition associated with Brahmin women painters who flooded enclosed outlines with vibrant flat colour: vermillion, ochre, indigo, and lampblack on cream or cow-dung-washed grounds, distinct from Kayastha Kachni line-only panels and Dusadh Godna tattoo dot grammar. On classical walls Bharni rendered festival deities, wedding processions, and village harvest scenes; on paper it became the chromatic discipline of artists like Sita Devi after the 1960s famine-era transfer from mud-wall ritual to market craft.