Childrens Room — 2 museum-grade prints sized and toned for the room. Deer (mriga) appear throughout Mithila folk painting as gentle forest inhabitants — distinct from the peacock's rain symbolism or the fish's fertility charge, but equally at home on household and ritual walls. Kayastha Kachni tradition builds these sylvan scenes through line density rather than Bharni's saturated flat fills: parallel strokes on animal bodies, cross-hatching in foliage, scalloped bands for water. Schools across India stage Krishna-leela dances for their annual functions, and the children's dance circle naturally echoes the classical gopi-raas — the ring of gopis dancing around Krishna. A pichhwai (literally 'that which hangs at the back') is the painted cloth hung behind the Shrinathji deity to set the scene; the raas-mandala is one of its loved radial motifs.