Bedroom Accent — 14 museum-grade prints sized and toned for the room. Warli painting belongs to Warli Adivasi communities of the North Sahyadri — white rice paste on geru-coated mud walls, traditionally painted by women for marriages, harvest, and seasonal rites. Monsoon arrival governs rice planting and village calendars across Palghar, Mokhada, Dahanu, and Jawhar talukas. Peacocks appear in Warli forest scenes and mor-chauk ritual contexts — symbols of beauty and Sahyadri forest presence. Tree-of-life verticals express fertility and human-nature reciprocity through circle-fruit canopies and root spreads. Diwali (Deepavali) is pan-Indian festival of light; Warli communities in Dahanu and coastal Sahyadri celebrate with clay diyas, harvest gratitude, and wall paintings during auspicious periods. Warli festival scenes traditionally encode social activity — lighting lamps, procession, dance — through stick-figure grammar on geru walls.