Travel Memory — 5 museum-grade prints that set the mood. Venice grew from lagoon settlements into a maritime republic whose Gothic and Renaissance palazzi still define the city's silhouette above its canals. The abstract treatment here references that masonry vocabulary — arches, loggias, and waterfront reflections — without naming a single campo, a pragmatic choice when the art is mood-first rather than landmark-checklist tourism. Rome — the Eternal City — layers two millennia of public architecture into a single skyline vocabulary: the Colosseum, completed under the Flavian emperors, and the Pantheon, whose pediment still carries Agrippa's dedicatory inscription. The geometric treatment here references that masonry heritage — amphitheatre tiers, classical columns, cobbled centro storico — without naming a single piazza, a pragmatic choice when the art is mood-first rather than map-precise tourism. Pattachitra is the cloth-painting tradition of Odisha, tied to the Jagannath temple at Puri and the chitrakar families of Raghurajpur, painted on patta (cotton treated with tamarind-seed paste and chalk) in five mineral colours — conch-white, lamp-black, haritala yellow, hingula red and geru brick-orange. The Konark Sun temple, built in the 13th century as a colossal stone chariot of the sun god Surya, is a UNESCO World Heritage Site (inscribed 1984); its twenty-four carved wheels are among the most recognised images in Odisha.