Craft Grounded — 2 museum-grade prints that set the mood. Warli painting belongs to the Warli Adivasi communities of the North Sahyadri range in Maharashtra — Talasari, Dahanu, Jawhar, Palghar, and Mokhada among the heartland districts where women traditionally painted rice-paste and gum pigment onto red ochre cow-dung or mud walls during weddings, harvests, and seasonal rituals. The geometric vocabulary — triangle torsos, circle heads, square chauk enclosures when ritual demands, horizontal bands for farming — encodes daily life rather than illusionistic depth. Bharni — meaning to fill — is the Brahmana women's tradition within Madhubani painting: bold lampblack double outlines and saturated flat colour with little empty ground, historically tied to deities, Ramayana scenes, and wedding Kohbar chambers. Pottery and kumhar craft appear throughout Mithila folk vocabulary — matki water pots, kalash ritual vessels, and wheel motifs on village daily-life panels mirror the same horror vacui discipline as deity walls.