DESIGN BRIEF: the brief was a turning circle dance, the hardest thing to draw on a flat wall, so we let it read as nested rings of joined dancers spiralling inward to two centre drummers, the curve carried by the rice-paste line with no perspective trick. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, leaving clear brick-red ground so the rings stay separate and the bent-knee bodies legible. The figures are the rounded, faceless Saura type — never Warli's joined triangles — and there is no depth; the rings sit flat, the village stacks around them in bands. This is the fusion idea: a present-day village complete with a well and a cyclist drawn in the same monochrome line as a circle dance that Saura communities have turned at festivals for generations.