The translation problem was the Ind worship itself: how to keep a vertical ritual pole as the unmistakable centre while still letting modern village life crowd in around the harvest it celebrates. A central pole axis solved the layout — the garlanded Ind rises dead-centre, villagers kneel and plant around its foot, and the eye climbs it to the rain-cloud that the festival petitions. The Rathwa raise the Ind pole to honour the rain-bringer and the year's yield, so the dotted folk rain falling from the cloud is the point of the picture, not decoration. The blue bus and red tractor stayed because they belong to the same fields now; rendered in the same outline and flat colour, they sit in the lower band as part of the procession of plenty rather than breaking the folk grammar.