Turmeric Ochre — 12 museum-grade prints in this palette. Gond painting comes from the Gond Adivasi communities of central India, with its best-known school formed by the Pradhan Gond of Patangarh and the wider Dindori region of Madhya Pradesh. The contemporary form is largely the legacy of Jangarh Singh Shyam (1962–2001), whose distinctive line-and-in-fill manner — every form bounded by a bold outline, then filled with rows of dots, dashes, commas and scales — became known as Jangarh Kalam and was carried on by his family and students. Madhubani — Mithila painting from the Madhubani district of Bihar and adjoining Nepal — traditionally adorned courtyard and interior walls for weddings, festivals, and seasonal rites, with knowledge passed matrilineally among Brahmana, Kayastha, and other community lineages. William G. Bharni — "to fill" — is the Mithila colour-flood style historically associated with Brahmin women painters in Jitwarpur, Ranti, and Rasidpur; bold lampblack outlines enclose vermillion, turmeric, and palash orange fills on wedding walls and, after drought-relief paper programmes in the 1960s–70s, on handmade sheets for wider commerce. Contemporary Mithila artists have extended Bharni grammar to daily-life subjects — cycles, autos, trains, smartphones — while keeping horror vacui fill rules and double-outline discipline.


$49

$49