Saffron — 11 museum-grade prints in this palette. In Pushtimarg (the Vallabh tradition centred at Nathdwara, Rajasthan), seva of Shrinathji — the child-Krishna Govardhan-lifter — begins in the kitchen, where bhog is cooked fresh before darshan. Makhan-mishri, fresh butter with sugar crystals, is Krishna's most beloved offering, tied to his childhood as the makhan-chor. Mewar, ruled from Udaipur, is the Rajput school of flat saturated grounds and frontal terrace-pavilion scenes — princes watching dance and music on palace terraces by the lake. This contemporary fusion borrows that exact performance grammar for a kathak recital, the north-Indian classical dance of spins, footwork and storytelling that courts and havelis have hosted for centuries. Marwar, the desert court of Jodhpur, is the most intense of the Rajasthan-plains Rajput schools — saffron and deep-red grounds, jewel-strong colour, and a particular pride in the white Marwari horse, whose distinctive inward-curving ears made it a favourite subject for profile cavalcade scenes. The ghodi baarat, in which the groom is paraded on a decorated mare, carries the same ceremonial pomp the old courts gave to royal processions.
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