Cobalt Indigo — 6 museum-grade prints in this palette. Kachni — from the Hindi word for hatching or line work — is the Madhubani style associated with Kayastha women's compositions in the Mithila region, distinct from Brahmin Bharni flat-fill deity panels and Dusadh Godna tattoo dot-and-dash. Kachni artists build texture through parallel strokes on petals, wings, water, and border grounds, applying colour washes sparingly while lampblack outlines hold every form. Bharni — from the Hindi word for filling — is the Madhubani style associated with Brahmin women's ritual wall painting in the Mithila region, distinct from Kayastha Kachni line hatching and Dusadh Godna tattoo dot work. Bharni artists in villages like Jitwarpur and Ranti applied bold flat vermillion, turmeric, indigo, and lampblack within double outlines to depict festival deities, garden birds, and auspicious symbols on cow-dung-washed walls during Saraswati Puja, Durga Puja, and wedding seasons. Tantrik is one of five historically distinct Madhubani styles — alongside Bharni, Kachni, Godna, and Kohbar — traditionally associated with Brahmin women painters in the Mithila region and characterised by esoteric deities, yantras, and sacred geometry rather than daily-life narrative. Kali (Mahakali, Adishakti) appears in tantric Mithila panels as symbolic face, full figure, or yantra-centred diagram — especially around Kali Puja and Navratri when Shakti imagery guards household walls.
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